Sony Zeiss Vario-Tessar T* FE 16-35mm f/4 ZA OSS Lens Review

Thanks for the post. Aside from the price, this is one FE lens I have in my short list. I feel that 16-35mm range gives a TON of flexibility and in the future plans going to Lithuania etc I want to be able to capture all the beauty without constantly changing lenses if I can have a zoom of great quality even at F4. Of course, I am sharpness junkie too so I will end up comparing it to my FD 35mm F2.0 which is extremely sharp and not quite fair vs a zoom...so maybe I shall rent first.

 

You could be in for a surprise if you give the zoom a fair chance of winning: OSS off, Live View settings ON (doesn't seem relevant for an A7RM2), tripod, careful manual focussing. I have a Canon FD 35/2 S.S.C. and I'm quite certain the zoom will have better corner sharpness even at f/4.

 

Excellent shots and review, nice bokeh/blurr! It comes like 16-55m zoom with the crop factor at the end... I was using Sigma 24-60mm as my everyday FF zoom with Canon and later 12-35mm with m43... 16-35mm pretty much cover the wide and normal zoom range...

 

I agree, this lens has been excellent for me. The perfect focal range for travel or landscapes, and it allows for an excellent ability to crop for an even narrower field of view. I also found it to perform nicely at the 35mm end despite what a few people had said. The fact that it can take filters is also a huge plus that not all ultrawides can accomodate.

The only downside for me is the size. For hiking or even walking with it around your neck all day, it can be a bit large and heavy. It comes with the territory on the FE system. The Sony 10-18mm is more manageable in these cases (and on an APS-C body), but you definitely lose a bit of flexibility at the longer end that the 16-35mm boasts.

 

I like mine.
Its a great lens for walking around a city where architecture, and street scenes are the main interest. 35 is good for people and 16 when care is taken, is great for architecture. Unless one is into angle of view distortion, then its can be a dramatic lens as well.

 

It's a fantastic lens and a great example that Sony/Zeiss can do very high end optics in a zoom package. Generally speaking most if not all super wide zooms have some degree of barrel distortion. Nature of the game.

I suspect that it is actually slightly wider than 16mm at the wide end. If you apply lens corrections you can see that it crops it somewhat to what I would expect for a 16mm.

 

Hey Amin, where'd you get that red shutter button 'extension' (and what's the correct name for it)?

 

Thanks Amin.

 

I would love to see such comparisons but from the reviews with test charts of the 16-35mm @35mm I highly doubt it will touch the FD 35mm F2.0 (a good condition one of course) edge to edge much less at F4 since the reviews I read needed about F8 to recover edge sharpness:
http://erphotoreview.com/wordpress/?p=4364
Of course, as I am almost ready to get one, I would love to be wrong

 

OK, here goes. This is my Canon FD 35mm 1:2 S.S.C. Click on the picture for more images of this lens.


The test scene.


I took test shots with the A7 and the FE 16-35/4 and Canon FD 35/2 at f/4 and f/8. Both lenses were focussed at the taking aperture, in case of the FE 16-35mm that means Live View settings set to ON. OSS off, tripod, A mode, focussing with 5.9x magnified view and peaking set to mid. Imported in Lightroom CC with my default settings for sharpening and correction profiles were applied to both lenses as that's what I always do. I made a custom profile for the Canon 35mm correcting for geometric distortion and chromatic aberrations. White balance set with the WB picker on the mid of the grey table.

Center crop at f/4. Click the picture in your browser to cancel the scaling and see it in full resolution.

Yikes! There is detail in the FE shot but also a lot of halo and loss of contrast. The CFD is excellent here.

Center crop at f/8

Much closer now, it's a toss-up IMHO.

Upper-right corner crop at f/4

Essentially same story as in the center at f/4, but notice the CFD's sharp decay in sharpness in the extreme corner. But the CFD is much better overall.

Upper-right corner crop at f/8

Again it's a toss-up I think. Only in the very extreme corner the CFD gets a little less sharp.

See the full-res test shots here and there's also another gallery for the Canon 35/2.

The Canon FD 35/2 is the clear winner at f/4 except in the extreme corners, at f/8 I find both lenses equivalent and both will be able to produce very high-quality imagery. I must say that focussing with the Canon is a breeze while manual focussing with the FE lens remains a painful experience, mainly due to its dual-speed behaviour.

 

Oh please note those two losers again....nothing with a Sony TAG will EVER be good enough or perform good when they try it...its "weird".

 

Interesting. In my test the 16-35 is better than my 35/2 at all apertures. And I have more than fairly sharp corners even at f4 with the 16-35 at 100% crop. Sharper than what I see from your shots. Agree with the focusing.

 

I'm very pleased with my FE16-35/4. I'm glad I bought it.

 

Not too surprised by the FE 16-35 vs. Canon 35 test at 35mm above. My FE 16-35 is weak at 35mm and f/4, improves a lot stopping down one stop to f/5.6. Mine is excellent at f/4 up to around 28mm, and at 35mm from f/5.6.