Showcase Sony FE400 f2.8

Ziggy99

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  • #21
Using the 2x TC and A9, I like the results from static birds but BIF appear a little soft. Ideas welcomed.

Brolgas

Brolgas (3).jpg
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Swamp Harrier

Swamp Harrier IF (18).jpg
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Swamp Harrier

Swamp Harrier IF (17).jpg
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Ziggy99

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  • #22
I've been doing a lot with the 2x TC, and found that esp with BiFs shutter speeds have to go up and attention paid to the lens OSS settings - more than on other supertele's that I've used. 1/1500s for static and 1/4000s for BiF cp the normal 1/1000s and 1/3200s.
It would be helpful if the factory was clearer about what the lens settings mean. 'Normal'? What's clear is that in panning mode the shots will likely be soft when you stop panning.
Old setting shots follow; these work because the bird is slow and large in the frame.
Black Swan; Brown Falcon
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Ziggy99

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With the 2x TC I got close to one of our apex predator today, the Wedge-tailed Eagle (2.3m wingspan).

This guy is unusual in getting around within a stand of trees. They're so big they perch on top of trees usually. They also usually fly away when you get close but it circled around me twice. And its 'mane' is striking - unique in my experience.

The close-up is what you get with an 800mm prime and a bird that doesn't give a damn about you.

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Ziggy99

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  • #25
A Black Swan set.
The silhouette doesn't quite work but suggests what would.
The swan running to get airborne got cropped of course but you get a good sense of its undercarriage at work here.
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Ziggy99

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I've written a piece on shooting with this lens over here: https://www.alphashooters.com/sony-fe-400mm-f2-8-gm-ern-reeders/

In November pandemic permitting I'll be doing an 18 day expedition around the subantarctic islands south of New Zealand. The logistics of carrying and covering my rigs have proven difficult. There'll be flights, rain and zodiac spray, walking and rock hopping.
If anyone is interested I'll write about my choices.
Useful information on active shooting in harsh conditions can be found on the shuttermuse website.
 

fractal

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I've written a piece on shooting with this lens over here: https://www.alphashooters.com/sony-fe-400mm-f2-8-gm-ern-reeders/

In November pandemic permitting I'll be doing an 18 day expedition around the subantarctic islands south of New Zealand. The logistics of carrying and covering my rigs have proven difficult. There'll be flights, rain and zodiac spray, walking and rock hopping.
If anyone is interested I'll write about my choices.
Useful information on active shooting in harsh conditions can be found on the shuttermuse website.
Love to read that - and excellent photos!
 

Ziggy99

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  • #28
https://www.heritage-expeditions.co...tic-islands-travel/birding-down-under-cruise/

This will be an 18 day boat trip through the roaring 40s and furious 50s. We'll be taking zodiacs to and around world-heritage listed islands full of unique wildlife and plants, we'll be shooting on beaches, walking on tracks and rock-hopping. The water will be coming from the sky, blown horizontally, sprayed from zodiac bows and sneaking up as waves. Gear will need to be carried on foot, planes and boats.

So there'll need to be padding and membranes, but in which order?

I shoot birds opportunistically with those in flight a priority. Currently the LowePro LensTrekker 600 AW allows me to pull the fully assembled rig out of the bag and start shooting straight away. That comes with a rain cover but it doesn't do 360 degrees. That would mean adding a lightweight drybag around the rig inside the pack. That would mean in turn that the padding would soak up some H2O - not ideal.

So I decided on a waterproof pack with padding added. I've drawn a blank on getting something big enough here in Australia to take this rig hooded (58cm long x 18cm diameter, with another body and the FE100-400 & TC or FE16-35 alongside). There are 70l units that would need to be imported from overseas but diving that deep for gear isn't ideal anyway. So the 400 2.8 sunhood is going to have to be reversed for carrying (there's no lens cap which makes this a pain, only a vinyl hood which isn't quick).

There'll be a 45l drybag backpack by Overboard. This will take my F-Stop XL ICU when needed but that's not up for both bodies with telephotos.
https://www.over-board.com.au/products/classic-waterproof-backpack-45-litres?variant=19974346375279
https://fstopgear.com/products/icu/pro-icu-xlarge

For outings just with the 100-400 I've ordered a drybag holster from Overboard...
https://www.amazon.com.au/dp/B009LEQ3MU/ref=pe_2361882_282382012_TE_item
A neoprene lens pouch will go over the front during carrying.

The telephoto lenses have LensCoats to provide some protection against bumps. More padding will be needed and the only option I can see for the 400 2.8 is the LensCoat Travel Coat with the mount end cut out. Or I can have a go at fabricating a sock out of wetsuit material.
https://www.lenscoat.com/travelcoat�-sony-p-3604.html

For body protection there's a couple of LensCoat Bodyguards on order:
https://www.lenscoat.com/bodyguard�-p-681.html

For shooting when wet threatens I have an Aquatech Sport Shield XL rain cover:
https://aquatech.net/products/na-sport-shield-rain-cover-ssrc-xlarge

The southernmost island we'll reach can be expected to get down to freezing so I've got these flip-top gloves and Goretex mitt shells to cover them when needed:
https://www.bhphotovideo.com/c/prod...ompany_32303_heat2_softshell_mitten_size.html

For 'open carry' I use the Cotton Carrier Skout which works very well; it frees the hands up when necessary and can be worn a little offset to allow me to see where I'm walking. It's about at its limits with the FE400 and hanging another holster off it for the second body has yet to be tested.
https://cottoncarrier.com/collections/skout/products/grey-skout-camera

....

The Australian winter and some XC skiing is coming up to test all this stuph out.

It's disappointing to find that the high end factory case supplied with the lens won't take a body, won't take the lens with a LensCoat on and won't take mine with my dovetail plate added to the lens foot. Replacement feet are available and I have one but it has other limitations.

In researching gear I found a couple of helpful sites from wild country photographers covering their gear and Tony Whitehead was kind enough to advise on bags.
http://www.tonywhitehead.com/wildli...g-up-for-a-photo-expedition-photography-gear/
On rain covers and gloves:
https://shuttermuse.com/best-camera-rain-covers/
 
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Ziggy99

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  • #29
Photography means drawing with light.
The standard advice for landscapes and wildlife is to shoot in the golden hour or even just the golden 15 minutes. So I get to my favorite bird shooting location by sunrise. There's the bonus that the sunrise allows you to shoot into it and get some bird silhouettes against a flaming background.
Many mornings this summer clouds have stolen my 15 minutes of would-be fame. But I'm coming to appreciate the subtleties in whites and greys - how they change the subject according to the angle of the light source to it and to me.
Here's the same Great Egret changing its position in relation to me and the filtered morning sun.
Note that the first shot has been lifted more in post than the others. I think probably #3 needs more lifting - a bird known to be white is disconcerting when it's shown as grey.


Great Egret IF (3).jpg
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Great Egret IF (6).jpg
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Great Egret IF (7).jpg
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Ziggy99

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Another Black Kite. They have a range of subtle colours and need good light to show them off.
I'm getting sharper results at 800mm with the shutter at 1/4000s and OSS mode selected carefully.

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Ziggy99

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Australia
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  • #31
Black Swan
The light was early morning and indirect but there was some reflected up from the water.


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